Watercolor, 56 × 69 cm, 2004
/framed: 66 × 79 cm
Working directly from originals like this one in the British Museum, I captured the Oba's commanding presence through hiearachical scale, towering over attendants to echo his divine authority in the ancient Benin Empire. These plaques were more than art; they cronicled palace life , triumphs, and rituals on royal walls, and through my series, I painted new life into them while sparking thoughts on their enduring legacy and repatriation debates.
Acquisition at €2,000. A 10% incentive applies for multiple purchases or full series acquisition.
Watercolour on paper 56x69 cm, 2004
/ 66x79 cm framed
This intricate watercolour painting meticulously re-creates a detailed high-relief of a Kingdom of Benin Oba and his retinue.
The central Oba figure, adorned with his iconic beaded regalia and coral crown, is flanked by five attendant figures, including guards, musicians, and pages, based on historical bronze plaques. Using a rich, monochromatic bronze and sepia watercolor palette,
I captured the complex textures of the figures and their traditional garments and weapons.
Watercolor on paper, 56x69 cm, 2004
/framed 66x79 cm
In this watercolour painting, I used a palette of sepia and earth tones to intricately replicate the deep texture and aged patina of a historical Benin bronze plaque.
The central focus is a detailed figure of a warrior-king, with his traditional feathered headdress and sword, surrounded by stylized floral rosettes. My primary goal was to use watercolor to build a persuasive illusion of corroded metal, giving the flat paper a profound, sculptural relief-like quality.
The artwork is presented in a natural light and includes my own handwritten notations and signature directly on the paper beneath the central image.
Acquisition at €1,800. Available individually or as part of the series.
Watercolor on paper, 40 × 50 cm, 2004
/framed 50x60
In this watercolour, I’ve captured the regal presence of a Benin Queen Mother head, meticulously rendering the intricate latticework of her crown and the high coral-bead collar.
I used layered washes of cool indigo and warm sepia to simulate the reflective sheen and weighted mass of cast bronze on paper. By emphasizing sharp highlights and deep shadows, I aimed to give the two-dimensional surface a striking, three-dimensional sculptural feel.
This piece reflects my deep respect for the craftsmanship of the Benin Empire and is signed in the lower left corner.
Acquisition at €1,500. Available individually or as part of the series.
Watercolor on paper, 56× 69 cm, 2004
/framed 66x79 cm
In this watercolour I have used a warm palette of ochre and sepia to capture the stately presence of a Benin court official as seen on a traditional bronze plaque.
My technique focuses on replicating the stippled background and the metallic, weathered texture of the original work, creating a sculptural depth that belies the watercolour medium.
The figure is depicted with meticulous detail, from the conical headdress to the ceremonial staff, set against a background of delicate floral rosettes.
Acquisition at €1,050. Available individually or as part of the series.
Watercolor on paper, 45 × 60 cm, 2004
/framed 55x70cm
In this watercolour I explored the concept of royal lineage by depicting a 16th-century Benin King and his successor as they appear on a traditional bronze plaque.
Through careful layering of earth tones and precise highlights, I aimed to recreate the metallic sheen and heavy relief of the original artifact, giving the flat paper a sense of weight and history.
The composition captures the intricate patterns of the ceremonial regalia and the floral motifs of the background, honoring the sophisticated artistry of the Benin Empire.
Acquisition at €1,050. Available individually or as part of the series.
Watercolor on paper, 45 × 60 cm, 2004
/framed 55x70cm
In this watercolour titled "Portuguese," I have depicted the encounter between cultures as recorded on a historical Benin bronze plaque.
I focused on capturing the distinct costume and facial features of the central Portuguese figure, utilizing varying shades of sepia to suggest the depth and relief of the original cast metal.
By surrounding the plaque with soft, atmospheric washes, I wanted to emphasize its presence as a singular artifact of significant cultural heritage.
Acquisition €1,100. Available individually or as part of the series
Born from months of immersive study at the British Museum, this series is a translation of presence. Working at a 1:1 scale, I sought to transform the opaque weight of 15th–19th century Edo brass plaques and commemorative heads into the transparent, accumulated light of watercolor.
Each work is an act of devotion, requiring weeks of delicate washes to build the density of metal and the patina of time. By documenting every casting flaw and deliberate trace of the lost-wax process, these paintings serve as a living archive—honoring the mastery of the Edo guilds and bridging the gap between ancient bronze and contemporary luminosity.
Recognized by the Royal Institute of Painters in Water Colours (RI) and the Royal Watercolour Society (RWS), the series explores the intersection of cultural memory and artistic debt.
Mishko Papic Papa
Enquire about available originals --- here!